Ballet Star Matthew Ball on Grueling Parts and Social Media Attention: 'I Don't Feel Protective About My Body'
Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a plain tee. On stage, ballet dancers can appear as powerful gods, yet frequently in person they are petite. Not so Ball, whose tall stature is one reason for his demand for princely characters and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.
A Seamless Rise to the Pinnacle
At 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered minimal ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was promoted annually, attaining the highest position of lead dancer in 2018. He has loved taking on substantial characters, especially the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His next starring role is in a talk, in an "Evening With" series aiming to offer intimate insights into a dancer's craft. He will walk the audience through a role, showing his mental workflow while execution. Even in lighter works, the test is profound. "A classic ballet is one of the most demanding technically," he notes.
The Psychological Game and After the Show Feelings
How does he feel after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel embarrassed afterwards. After Mayerling I'm always thinking: God, what must people think?"
In person, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer once observed on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."
Early Drivers and Creative Inspirations
His tenacity originated in early experiences. Not doing well in competitions at school made him "vengeful!" It was motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.
The next endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from literature, compositions, and art.
Intimate Dance and Private Partnership
He additionally is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"
Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They are not usually matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Perception
On social media, followers can see videos from his dance films and photos that highlight a athletic form. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to seeing Michelangelo’s David—something that can be interpreted on various ways.
Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how reality is a different reality to the aspirations you had as a child," he muses. He probably has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."